Browse Items (133 total)

Illuminated manuscript taken from the 13th century copy of the "Anvar-i Suhayli", (The Lights of Canopus). In this illustration, the wisdom of King Solomon is portrayed through his ability to converse with all mankind and creatures, including…

Photograph of AKM PS24 Robe, focusing on the back bottom-left panel of the robe, depicting a scene with Vamiq and Azra. A story deriving from the eleventh-century Iranian poet, Unṣurī in his work titled, "The Virgin and Her Lover". The story is an…

20th-century Central Asian robe displayed in the Aga Khan Museum (Toronto) in Hidden Stories: Books Along the Silk Roads exhibit (exhibited during 2021-2022). The felted robe features four embroidered stories ranging from different cultures,…

Side view of the Aga Khan Museum's PS24, Robe. Embroidered illustration of Sultan Sanjar and the Old Woman. Depicts a scene from the Treasury of Secrets epic poem written in the Shahnameh.

Painting of King Solomon's seated on a gold throne above a congregation of creatures and beings. The image was likely intended to demonstrate the King's influence over the realm of animals, angels, celestial beings and demons. The horned human-like…

Mosaic floor pattern depicting a scene between lovers, Metiochus and Parthenope from a Greek tale.

Manuscript leaf from the Baysunghur Shahnameh Manuscript. The illustration depicts a scene from Mahsan al-Asrar (Treasury of Secrets) with an encounter between Sultan Sanjar and an Old Woman

This Hebrew Bible (Tanakh) was written and decorated in 1307 in Christian-ruled Toledo at a time when Jewish life in Spain was becoming increasingly difficult, culminating in the final expulsion of Jews as well as Muslims from the Iberian Peninsula…

The Mishneh Torah, not to be confused with the early medieval Mishnah seen in the eleventh-century manuscript pages appearing earlier in the exhibition, was composed by the Sephardic Jewish philosopher and physician Maimonides (1138-1204). Born in…

The contents (Sanskrit text and Hindu iconography), materials (Islamic burnished paper and Indian textiles), and format (Islamic-style binding of this manuscript of the Hindu Bhagavad Gita) all illuminate the fecund encounter of Persian and South…