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                  <text>Solomon: The Great King and Prophet</text>
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                  <text>A visual comparison of the depictions of Solomon, the wise king and Prophet of Islamic and Persian storytelling. In these depictions, notice the common motifs of Solomon enthroned above all creatures and mankind, his ability to communicate with creatures, and his control over demons (Persian: &lt;em&gt;Divs&lt;/em&gt;, Arabic: &lt;em&gt;Jinn&lt;/em&gt;)</text>
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                <text>Solomon Enthroned, from the Book of Solomon (Suleymannama)</text>
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                <text>Illuminated manuscript illustrating Solomon enthroned at the top centre of the illustration. The illustration of the wise and powerful king features him above horizantal rows of his subjects. Simillarly to the AKM PS24 robe, the character known in Islamic tellings as the "Jinn", or in Persian tellings as "Divs" (demon) are pictured on the second row from the bottom of the page, as large, horned creatures. In the Qur'an and the Shahnameh, King Solomon is titled as the "King of the Jinn", possessing the power to control and communicate with all creatures including the demons who he summons to do his work. The manuscript was dedicated to Ottoman Sultan Bayazid. Source: (https://viewer.cbl.ie/viewer/image/T_406_1/1/)</text>
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                <text>Manuscript author: Firdausi of Bursa. Artist is unknown. </text>
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                <text>Book of Solomon, Suleymannama (Istanbul, Turkey)</text>
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                <text>Chester Beatty Museum, Dublin (Online Collections)</text>
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                <text>1480 - 1510</text>
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                <text>Creative Commons</text>
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                <text>illuminated manuscript</text>
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                  <text>Solomon: The Great King and Prophet</text>
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                  <text>A visual comparison of the depictions of Solomon, the wise king and Prophet of Islamic and Persian storytelling. In these depictions, notice the common motifs of Solomon enthroned above all creatures and mankind, his ability to communicate with creatures, and his control over demons (Persian: &lt;em&gt;Divs&lt;/em&gt;, Arabic: &lt;em&gt;Jinn&lt;/em&gt;)</text>
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                <text>Solomon takes advice from the animals, from Lights of Canopus (Anvar-i-Suhayli)</text>
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                <text>Illuminated manuscript taken from the 13th century copy of the "Anvar-i Suhayli", (The Lights of Canopus). In this illustration, the wisdom of King Solomon is portrayed through his ability to converse with all mankind and creatures, including animals. Solomon's depiction of wisdom through the use of animals is a common storytelling tactic in Persian and Islamic depictions of the wise king. The following excerpt from the Chester Beatty Online Collection provides further detail for the depicted scene: "One day, he had the opportunity to drink the water of life, and to live forever. Hesitating, he decided first to take advice from the animals and birds. They all gathered at his court, and discussed the great decision. The heron advised the king not to choose immortality. There was only enough water for one person, the bird said, so if Solomon were to drink it, then he would outlive everyone he loved."</text>
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                <text>Dhanu (painter)</text>
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                <text>Manuscript of "Lights of Canopus" (Anvar-i-Suhayli); Agra, India</text>
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                <text>Chester Beatty Museum, Dublin (Online Collections)&#13;
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                <text>1595-1600 (Mughal India</text>
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                <text>Chester Beatty Online Collections</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Creative Commons</text>
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                <text>illuminated manuscript</text>
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                <text>Persian in Nasta'liq script</text>
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            <description>A name given to the resource</description>
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                <text>AKM PS24 Robe Embroidery of Vamiq and Azra</text>
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            <description>An account of the resource</description>
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                <text>Photograph of AKM PS24 Robe, focusing on the back bottom-left panel of the robe, depicting a scene with Vamiq and Azra. A story deriving from the eleventh-century Iranian poet, Unṣurī in his work titled, "The Virgin and Her Lover". The story is an epic retelling of the Greek 1st century story of Parthenope and Metiochus. In this embroidery, Vamiq and Azra are seated on a carpet, facing one another, seemingly in conversation. The scene likely depicts their debate over "Eros" or the effigy of love, as found in both the Persian and Greek tellings of the story.  The Farsi script above the embroidered characters is not legible but one decipherable word in the sentence appears to mention the word "agree" , perhaps referencing Vamiq and Azra's discussion of love and their potential agreement with their interpretations.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Central Asia; Current: Aga Khan Museum</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Aga Khan Museum</text>
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                <text>20th century</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Aga Khan Museum</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Creative Commons</text>
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                <text>photograph of robe</text>
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                <text>AKM PS24 Robe- Front</text>
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                <text>20th-century Central Asian robe displayed in the Aga Khan Museum (Toronto) in Hidden Stories: Books Along the Silk Roads exhibit (exhibited during 2021-2022). The felted robe features four embroidered stories ranging from different cultures, religions, and ages. The robe depicts scenes deriving from the Qur'an, the Shahnameh, the Khamsa of Nizami, Thousand and One Nights and sources of Greek and Persian poetry.</text>
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                <text>Central Asia; Current: Aga Khan Museum</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Creative Commons</text>
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            <description>A name given to the resource</description>
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                <text>Robe Embroidery of Sultan Sanjar and the Old Woman </text>
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                <text>Side view of the Aga Khan Museum's PS24, Robe. Embroidered illustration of Sultan Sanjar and the Old Woman. Depicts a scene from the Treasury of Secrets epic poem written in the Shahnameh. </text>
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                <text>Central Asia; Current: Aga Khan Museum</text>
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                <text>Aga Khan Museum</text>
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                  <text>Solomon: The Great King and Prophet</text>
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                <text>King Solomon and His Court</text>
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                <text>Painting of King Solomon's seated on a gold throne above a congregation of creatures and beings. The image was likely intended to demonstrate the King's influence over the realm of animals, angels, celestial beings and demons. The horned human-like creatures bear a strong resemblance to Islamic artistic representations of the Jinn, a demon or genie, a mythological invisible evil force. In Islamic tales and within the Qur'an, Solomon is referenced as the ruler of the Jinn.</text>
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                <text>Hyderabad, Deccan, India</text>
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                <text>Brooklyn Museum; Gift of James S. Hays</text>
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                <text>Brooklyn Museum</text>
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                <text>photograph of watercolor prototype</text>
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                <text>Metiochus and Parthenope</text>
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                <text>Mosaic floor pattern depicting a scene between lovers, Metiochus and Parthenope from a Greek tale. </text>
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                <text>Zeugma Mosaic Museum</text>
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                <text>2-3rd century</text>
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                <text>Photographer: Adam Jones</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Creative Commons</text>
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            <description>A name given to the resource</description>
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                <text>Sultan Sanjar and the Old Woman</text>
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            <description>An account of the resource</description>
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                <text>Manuscript leaf from the Baysunghur Shahnameh Manuscript. The illustration depicts a scene from Mahsan al-Asrar (Treasury of Secrets)  with an encounter between Sultan Sanjar and an Old Woman</text>
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                <text>Mahmud al-Husayni</text>
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                <text>Baysunghur Shahnameh Manuscript, Timurid Dynasty</text>
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                <text>Berlin State Museums (Staatliche Museen zu Berlin); ARTSTOR</text>
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                <text>1420</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>JSTOR</text>
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                <text>Manuscript leaf; illumination</text>
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                  <text>BOLINTINEANU - BSR</text>
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            <name>Identifier</name>
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                <text>Fisher Friedberg MSS 5-001</text>
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            <description>A name given to the resource</description>
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                <text>Hebrew Bible, Spain, Toledo, Kislev 5068 / December 1307 , ink on parchment , Thomas Fisher Rare Book Library, Friedberg MSS 5-001</text>
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            <description>An account of the resource</description>
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                <text>This Hebrew Bible (Tanakh) was written and decorated in 1307 in Christian-ruled Toledo at a time when Jewish life in Spain was becoming increasingly difficult, culminating in the final expulsion of Jews as well as Muslims from the Iberian Peninsula in 1492. Possibly commissioned for personal family use rather than for a synagogue, this manuscript is punctuated by pages of intricate and playful geometric designs, such as the rhythmic wavy lines made up of Hebrew characters seen here. Along with the exact date, the gifted scribe has included his name in the colophon: Yosef ben Yehudah ben Meryas.</text>
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                <text>Thomas Fisher Rare Book Library</text>
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                <text>Thomas Fisher Rare Book Library</text>
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                <text>Spain, Toledo</text>
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                  <text>BOLINTINEANU - BSR</text>
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            <name>Identifier</name>
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                <text>Fisher Friedberg MSS 5-021</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="284043">
                <text>Mishneh Torah, Sefer hafla"ah, Moses ben Maimon (Maimonides), Yemen, 1498, Ink on paper, Thomas Fisher Rare Book Library, Friedberg MSS 5-021</text>
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            <description>An account of the resource</description>
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                <text>The Mishneh Torah, not to be confused with the early medieval Mishnah seen in the eleventh-century manuscript pages appearing earlier in the exhibition, was composed by the Sephardic Jewish philosopher and physician Maimonides (1138-1204). Born in Cordoba, Spain, Maimonides wrote his major works in Morocco and Egypt, and his commentary on Jewish law in the Mishneh Torah has been deeply important to all Jewish communities, particularly Sephardic diasporic communities as well as the Jews of Yemen. The owner of this volume has noted the births of two of his children on the first leaf and included a blessing, demonstrating how a book of religious law can also contain tender personal family histories. This copy of the Mishneh Torah is written on burnished paper, an Islamic technique that gives a sheen to the sheets and makes them easier to write on. </text>
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                <text>Maimonides, Moses (1135-1204)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Thomas Fisher Rare Book Library</text>
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                <text>1498</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Thomas Fisher Rare Book Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Dimensions: 28.9 x 21.8 x 5.0cm&lt;br /&gt;&lt;br /&gt;Material: ink on paper</text>
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            <description>A language of the resource</description>
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        <name>IIIF Item Metadata</name>
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