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                <text>Bolintineanu-Bernie</text>
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                <text>BSR - A Learned Man (AKM906)</text>
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                <text>https://www.agakhanmuseum.org/collection/artifact/learned-man-akm906</text>
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                <text>"The subject of this single-page drawing has been most often described as a learned man, but he also possesses qualities that may indicate he is a dignified Sufi. However, he wears rings on both little fingers, which might not reflect the modesty of a Sufi. This drawing was attached to a folio for an album assembled in 1611–12 for Prince Khurram. Nineteen years old at the time, the prince would later be known as Shah Jahan. The reverse bears a panel of calligraphy in the hand of the prince dated 1605. The illuminated borders at the top and bottom seem contemporary with the drawing.[1] This Indian drawing of an Iranian topic is attributed to Basawan (1556–1600) by Stuart Cary Welch, and is executed in the nim qalam (half-pen) technique, a specialty of Basawan at the Mughal court.[2]" (Aga Khan Museum, https://www.agakhanmuseum.org/collection/artifact/learned-man-akm906)</text>
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                <text>Attributed to Basawan</text>
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            <name>Date</name>
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                <text>1575–80</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Images (c) Aga Khan Museum</text>
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                <text>Aga Khan copyright policy here</text>
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                <text>||||osm&#13;
India</text>
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                  <text>BOLINTINEANU - BSR</text>
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                <text>BSR - Binding, outer covers and doublures: upper, lower, and flap</text>
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                <text>https://agakhanmuseum.org/collection/artifact/akm384</text>
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                <text>"Durable yet easily decorated, leather presented an ideal material for protecting Islamic manuscripts. Some particularly fine bindings executed in the 15th century even featured different designs on the upper and lower covers.[1] Delicate leather filigree was often reserved for inner covers (doublures), where it would be less susceptible to damage." (https://agakhanmuseum.org/collection/artifact/akm384)</text>
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                <text>The Aga Khan Museum</text>
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                <text>ca. 1550</text>
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                <text>Images (c) The Aga Khan Museum</text>
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                <text>||||osm&#13;
Iran</text>
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                  <text>BOLINTINEANU - BSR</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>BSR - Moveable Type </text>
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                <text>https://collections.rom.on.ca/objects/338552/moveable-type-?ctx=5ed4ca9e-50ae-48a1-bbe8-ca459a5ec35e&amp;idx=0</text>
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                <text>"Moveable type printing was invented in China around 1045, but was never practiced on a large scale as the number of Chinese script characters (about 10,000) made it impractical. In Korea, moveable type was used more widely, especially from the 14th century onwards. The moveable type characters in the case are in the Chinese gallery is script from Korea." (ROM Catalogue Description, https://collections.rom.on.ca/objects/338552/moveable-type-?ctx=5ed4ca9e-50ae-48a1-bbe8-ca459a5ec35e&amp;idx=0).</text>
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                <text>The Royal Ontario Museum</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>18th century</text>
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                <text>Joseon Dynasty</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>(c) 2016 Royal Ontario Museum. Photographed by the Overseas Korean Cultural Heritage Foundation. Further permission required.</text>
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Korea</text>
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                <text>c834297c-d84d-4c13-acd3-1c4ff1476080</text>
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                  <text>BOLINTINEANU - BSR</text>
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                <text>BSR - Scribal Implements</text>
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                <text>“The pen is a key that opens the door to the necessities of life.”

This group of Ottoman scribal implements consists of three pairs of steel scissors and a steel rule all inlaid with gold; a silver and gilt pen box and inkwell; two pen rests, one in ivory and the other of gold inlaid steel; a gold inlaid steel pen; a cylindrical implement holder painted with floral sprays; two further inkwells, one in brass and the other in silver with a turquoise stud; and a lobed silver and gilt pot. The elegant execution of the tools reflects the understanding of the writers that beautiful tools contributed to the creation of beautiful writing (calligraphy).  Islamic artisans have produced exquisite scribal implements and other related objects, including scribe’s boxes, pen boxes and inkwells. Lavishly decorated with precious metal inlays or painted designs under varnish these tools connect us to scribes and bookmakers of the past. (BSR document)</text>
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                <text>Images (c) Aga Khan Museum.</text>
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            <name>Date</name>
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                <text>1700s-1800s</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="281121">
                <text>Images (c) Aga Khan Museum, CC-NC-BY</text>
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              <elementText elementTextId="281124">
                <text>https://agakhanmuseum.org/collections-dept/copyright.html</text>
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                <text>||||osm&#13;
Turkey</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bolintineanu - Sutton Hoo and Beowulf</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Items linked to either the finds at Sutton Hoo or to the poem Beowulf</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Byzantine silver bowl from Sutton Hoo</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>"Shallow silver bowl, not quite complete. Central inscribed roundel, in the centre of an equal-armed cross running from below rim. Arms of the cross decorated with chased star motif. Central roundel contains six pointed star, with eight-petalled floral design in centre. Bowl has beaded rim with line of engraving inside the bowl, just below the rim. One of set of ten, 1939,1010.78-87. A pair with bowl 1939,1010.78." (British Museum Catalogue, https://www.britishmuseum.org/collection/object/H_1939-1010-85)</text>
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                <text>The British Museum</text>
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                <text>6th century - early 7th century</text>
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                <text>(C) The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.</text>
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                <text>POINT(148957.2361137 6816289.2345433)|3|2172034.5954492|5586629.5225294|osm&#13;
Early Byzantine Empire</text>
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                <text>Canticle of the Birds - Debating the Journey (Garden of Paradise)</text>
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            <description>An account of the resource</description>
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                <text>A modern painting from a collection of Farkhondeh Ahmadzadeh's tryptic sets of paintings depicting the 13th century epic poem titled "Conference of the Birds" by Attar of Nishapur. In this scene, the Garden of Paradise, or Jannat is depicted through the character's spiritual journey. </text>
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                <text>2017 </text>
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              <elementText elementTextId="335071">
                <text>Farkhondeh Ahmadzadeh</text>
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        <name>WDW437</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>BOLINTINEANU - BSR</text>
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                <text>Western University M2150</text>
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                <text>Choir Book , Spain, Granada (?), 16th century, ink and paint on parchment, wood cover with metal, , Western University, Music Library, MS M2150,</text>
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            <description>An account of the resource</description>
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                <text>Spiritual travel is experienced through sung prayer as well as through map image. This choir book or "antiphoner" includes chants for the Christian Holy Week of Easter. So heavy that it can only be moved by two people, this enormous book would have been displayed open so that its monumental notation could be seen by all singers. This copy, animated in the micro-CT display, features wheel-shaped bosses on its cover, protecting against damage and perhaps evoking the emblematic wheel of St. Catherine. </text>
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          <element elementId="45">
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                <text>16th century</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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                <text>Dimensions: 60 cm x 43 cm (closed)&lt;br /&gt;&lt;br /&gt;Material: ink and paint on parchment, wood cover with metal</text>
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            <description>A language of the resource</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Bolintineanu - Sutton Hoo and Beowulf</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Items linked to either the finds at Sutton Hoo or to the poem Beowulf</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Clasp or Buckle from Sutton Hoo</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="423512">
                <text>"Curved gold dummy buckle or clasp of elongated triangular form. The loop is decorated with cloisonné garnet work, comprising one band of a running step-pattern, and one of plain rectangular and keystone cells. The buckle has a cut-away dummy tongue. Below the loop and 'tongue' are two prominent plain gold circular bosses qith beaded wire collars, each set with a circular cabochon garnet. These conceal rivets which connect with a back-plate of plain beaten gold. At the toe of the buckle is a large circular setting containing a cloisonné garnet step-pattern design, surrounded by a double collar of beaded wire. Below this was a rivet, now missing, which also connected with the back-plate. The whole piece is decorated with cloisonné garnet work, consisting chiefly of step-cut and mushroom cells. Virtually all cells are underlaid with stamped gold foil, but two or three curved stones on the shoulders of the loop may lack foil underlays." (British Museum Catalogue, https://www.britishmuseum.org/collection/object/H_1939-1010-10)</text>
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                <text>The British Museum</text>
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            <name>Date</name>
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              <elementText elementTextId="423518">
                <text>early 7th century</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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                <text>(C) The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.</text>
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            <name>Format</name>
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                <text>gold, garnet</text>
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          <element elementId="38">
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>||||osm&#13;
early medieval England</text>
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  <item itemId="46489" public="1" featured="0">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="423091">
                <text>Computers and Old English Concordances: Conference Proceedings, 1969, Title Page (Kalil)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="423094">
                <text>"The earliest published plans for the Dictionary are the transcripts of a conference held in Toronto on 21-22 March 1969; these were published as Computers and Old English concordances, and while concordances were one of the two main topics of discussion, the other was “an exploration of the possibilities for beginning work on a large-scale Old English dictionary.”2 As well as being an important record for historians of computing in the humanities, this volume notes several issues that would arise again and again throughout the next forty years of the Dictionary of Old English Project, the consideration of which, in 1969, would have far-reaching consequences. These included basing the Dictionary on a digital corpus, the use of editions or manuscripts for this corpus, problems in lemmatization, and the decision to produce the Dictionary in a digital environment" (Peter A. Stokes, "The Digital Dictionary," Florilegium, vol. 26 (2009): 37-65, p. 38). The volume shows the Dictionary of Old English's emblem, the wyrm, based on a ninth-century sculpted creature on a cross-shaft fragment from Wamphray, Dumfriesshire (Cameron et al, p. 2; see also https://canmore.org.uk/site/319260/wamphray-church).</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="423097">
                <text>Angus Cameron, Roberta Frank, and John Leyerle (editors)</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="423100">
                <text>University of Toronto Press</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="423103">
                <text>1970</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="423106">
                <text>University of Toronto Press</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="423109">
                <text>Book</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="423112">
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="423115">
                <text>||||osm&#13;
Toronto</text>
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        <elementContainer>
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