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                <text>"The dispersed “Blue Qur’an” to which this folio belongs is one of the most famous surviving Qur’an manuscripts. The text of this outstanding Qur’an is copied in gold ink outlined in black on a deep indigo-blue parchment. Small silver rosettes (now oxidized) punctuate the flow of the text at the end of each verse and add a decorative element to an already spectacular folio. Although rare in Qur’an manuscripts, the gold-on-blue aesthetic was used in royal manuscripts in the courts of the Abbasids (750–1258) and the Fatimids (909–1171). It can also be seen in the mosaic inscriptions of the Dome of the Rock in Jerusalem, dating to 692, and known from the literary descriptions of the mosaic inscriptions in the earliest mosques in Medina and Damascus. Around a hundred leaves from this Qur’an are known from museum and private collections, including a section in Mashhad, Iran, and sixty-seven pages in a museum near Qayrawan, Tunisia." (Aga Khan Museum, https://www.agakhanmuseum.org/collection/artifact/blue-quran-folio-akm248)</text>
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                <text>Images (c) The Aga Khan Museum</text>
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                <text>9th–10th centuries</text>
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                <text>AKM248</text>
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                <text>||||osm&#13;
North Africa, Iraq, or Iran</text>
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            <name>UUID</name>
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                <text>AKM PS24 Robe Embroidery of Vamiq and Azra</text>
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                <text>Photograph of AKM PS24 Robe, focusing on the back bottom-left panel of the robe, depicting a scene with Vamiq and Azra. A story deriving from the eleventh-century Iranian poet, Unṣurī in his work titled, "The Virgin and Her Lover". The story is an epic retelling of the Greek 1st century story of Parthenope and Metiochus. In this embroidery, Vamiq and Azra are seated on a carpet, facing one another, seemingly in conversation. The scene likely depicts their debate over "Eros" or the effigy of love, as found in both the Persian and Greek tellings of the story.  The Farsi script above the embroidered characters is not legible but one decipherable word in the sentence appears to mention the word "agree" , perhaps referencing Vamiq and Azra's discussion of love and their potential agreement with their interpretations.</text>
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                <text>Central Asia; Current: Aga Khan Museum</text>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Creative Commons</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>AKM PS24 Robe- Front</text>
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            <description>An account of the resource</description>
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                <text>20th-century Central Asian robe displayed in the Aga Khan Museum (Toronto) in Hidden Stories: Books Along the Silk Roads exhibit (exhibited during 2021-2022). The felted robe features four embroidered stories ranging from different cultures, religions, and ages. The robe depicts scenes deriving from the Qur'an, the Shahnameh, the Khamsa of Nizami, Thousand and One Nights and sources of Greek and Persian poetry.</text>
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            <name>Source</name>
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                <text>Central Asia; Current: Aga Khan Museum</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Aga Khan Museum</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementTextContainer>
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                <text>Aga Khan Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="334750">
                <text>Creative Commons</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <elementTextContainer>
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        <elementContainer>
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                  <text>BOLINTINEANU - BSR</text>
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              <elementText elementTextId="283803">
                <text>Fisher MSS 08024</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Amulet Scroll , Ethiopia, late 19th century, Black and red ink on parchment, Thomas Fisher Rare Book Library, MSS 08024</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Used for protection against illness, difficult childbirth, and the evil eye, this Ethiopian amulet scroll (Amharic kitab, Arabic for "book") was created by an ordained minister (Amharic debtara) from pieces of parchment tailored to the height of the owner"s body. Inscribed with healing prayers, talismans, and images of armed angels, amulet scrolls like this one might be placed in a leather case to be worn or hung on a wall, and could also be wrapped around the body of the deceased as a form of prayer.</text>
              </elementText>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Thomas Fisher Rare Book Library</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>late 19th century</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="283818">
                <text>Thomas Fisher Rare Book Library</text>
              </elementText>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="283821">
                <text>Dimensions: 16.9cm wide by about 2 metres long when fully unrolled&lt;br /&gt;&lt;br /&gt;Material: black and red ink on parchment</text>
              </elementText>
            </elementTextContainer>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>Ge'ez</text>
              </elementText>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
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                <text>Ethiopia</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Animal right protests </text>
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            <description>An account of the resource</description>
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                <text>Animals rights protest against fur Industries </text>
              </elementText>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Instagrama </text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bolintineanu - Sutton Hoo and Beowulf</text>
                </elementText>
              </elementTextContainer>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Items linked to either the finds at Sutton Hoo or to the poem Beowulf</text>
                </elementText>
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          <elementContainer>
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                <text>Beowulf f. 129 v </text>
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                <text>Beowulf; funeral of Scyld Scefing</text>
              </elementText>
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                <text>Folio 129 verso of the  Beowulf manuscript (London, British Library, Cotton MS Vitellius A XV), showing the text of the poem's  lines 122-146. The writing is clear Insular minuscule, verses written continuously, without line breaks. The page is shadowed by damage towards the bottom (the last four lines); its margins are obscured, both because of damage and because of necessary 19th century conservation work.</text>
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                <text>London, British Library, Cotton MS Vitellius A XV</text>
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                <text>The British Library</text>
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                <text>Kevin Kiernan, The Electronic Beowulf</text>
              </elementText>
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          </element>
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                <text>late 10th - early 11th centuries</text>
              </elementText>
            </elementTextContainer>
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            <name>Language</name>
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              </elementText>
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                <text>||||osm&#13;
early medieval England</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>BOLINTINEANU - BSR</text>
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          <name>IIIF Collection Metadata</name>
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              <name>UUID</name>
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                  <text>16b07e63-f4d8-4dc0-8272-0e1d9478bd7c</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Fisher MSS 01106</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bhagavad Gita , India, Kashmir, 17th"19th century, Carbon black ink and pigments on paper with textile covering, Thomas Fisher Rare Book Library, MSS 01106,</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The contents (Sanskrit text and Hindu iconography), materials (Islamic burnished paper and Indian textiles), and format (Islamic-style binding of this manuscript of the Hindu Bhagavad Gita) all illuminate the fecund encounter of Persian and South Asian cultures in the valley of Kashmir. Poised for battle against his kinsmen, the prince Arjuna cannot go on. At this crucial moment, his chariot driver, the god Krishna in disguise, suddenly reveals himself as a manifestation of Vishnu, encompassing all gods and even the universe itself. Arjuna's princely dress and courtly posture are those of the Muslim Mughal court, while Krishna's unveiling draws upon Hindu concepts of the holy. &lt;br&gt; This manuscript also tells a complex story of book technology and cultural entanglement. Micro-CT analysis (seen at [TK]) confirms that its exquisite Indian mashru fabric, imported from Gujarat, extends around the whole cover, beneath the plain overlayer. The book has an Islamic-style pentagonal flap binding, but because Sanskrit is read in the opposite direction from Arabic and Persian, that flap wraps around on the right rather than the left. </text>
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            <name>Publisher</name>
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                <text>Thomas Fisher Rare Book Library</text>
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            <name>Date</name>
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                <text>17th to 19th century</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Thomas Fisher Rare Book Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Dimensions: 15.5 x 12.0 x 5.7cm (lwh) (+11.3 for the flap)&lt;br /&gt;&lt;br /&gt;Material: carbon black ink and pigments on paper, textile</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Sanskrit</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Kashmir</text>
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        <name>IIIF Item Metadata</name>
        <description/>
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            <name>UUID</name>
            <description/>
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                <text>29773154-3169-4fe9-a7fd-9ac904a45175</text>
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