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                <text>A Silver and Lapis-Lazuli seal ring. Seal rings or signet rings are rings engraved with text in reverse that were used to stamp text into seals like a signature and may have also &lt;a href = "https://www.metmuseum.org/art/collection/search/450413"&gt;"functioned as talismans used to protect their owners from harm"&lt;/a&gt; (The MET). This particular ring is inscribed with the name Hajji Muhammad ibn Mahmud and features elaborate designs around the shank and bezel of the ring. Rings similar to this item were worn by men depicted in many fifteenth and sixteenth Persian miniature paintings, with this particular ring described as a "striking materialization" of the images of the rings found in said paintings (The MET). </text>
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                <text>Not specified (likely Arabic or Persian). The museum catalogue identifies that his ring is similar in style and period to &lt;a href = "https://www.metmuseum.org/art/collection/search/446273"&gt; another seal ring&lt;/a&gt; which contains inscriptions in both Arabic and Persian but does not identify the language of the seal stone inscription for this item.</text>
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Central Asia or Iran</text>
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                <text>Lane, Edward, trans. &lt;i&gt;The Thousand and One Nights; commonly called the Arabian Nights' Entertainments&lt;/i&gt;. Illus. William Harvey. 3 vols. London: Chatto &amp; Windus, 1912.</text>
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                <text>Mural located at the intersection of Howland and Bloor Street in Toronto's Annex neighborhood. This mural painted by [name] in 2018. It juxtaposes the fragility of bees and other pollinators in an urban environment, as well as emphasizes the beauty of the natural world.</text>
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Toronto</text>
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                <text>"in 1980, the DOE published its Microfiche Concordance to Old English. ""METHODS OF RESEARCH and standards of proof in Old English scholarship have been permanently changed with the publication of this reference tool. Henceforth, if a historian wishes to discuss the Anglo-Saxon thegn or the witan, if a literary scholar wishes to assess these words' meanings in context, or if a linguist sets himself to explaining their phonological variants,then every occurrence of the terms must be taken into account. With the concordance of Venezky and Healey now at their disposal, scholars must accustom themselves to speaking in terms that are definitive within the extant corpus, abandoning such hedging formulasas ""of the twenty-three occurrences which have come to hand"" or ""so far as I have been able to determine."" The new concordance is a blessing to those who want to know more about Anglo-Saxon life, language, and literature; it imposes new and heavy obligations upon the scholars who work in the field."" (&#13;
  Robinson, Fred C. “A Microfiche Concordance to Old English . Antonette diPaolo Healey , Richard L. Venezky.” Review. Speculum 57, no. 1 (1982): 133–35. https://doi.org/10.2307/2847573.) Robinson proceeds to describe the interaction of text technologies (LEXICO program and microfiche). Depicted here is a DOE microfiche from 1994, as well as two microfiche readers:  one, a large model still in use by researchers at the DOE; the other, a small, portable model, able to be used and transported by individual scholars from home to library to research centre."</text>
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                <text>"The concordancing system described at this date was to be written in Fortran on a Univac 1108. The Univac 1108 computer was modular and extensible but could easily fill a room with its various components, including not only the processor (or processors) but also the memory, console, card reader and punch, and reel-to-reel magnetic tapes; the purchase and installation cost was well over a million US dollars, and the operating cost to enter a million words of text and generate a concordance was estimated at about $30,000 in 1973. [...] Richard Venezky and his team found that existing systems for text analysis were prohibitively expensive, and so by 1975 they had developed their own, LEXICO, written in Fortran and run on a Univac 1110: this offered the editors facilities for storage, editing, concordancing, and lemmatizing. (Peter A. Stokes, "The Digital Dictionary," Florilegium, vol. 26 (2009): 37-65, p. 38)</text>
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Toronto</text>
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