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                  <text>Bolintineanu - Sutton Hoo and Beowulf</text>
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                  <text>Items linked to either the finds at Sutton Hoo or to the poem Beowulf</text>
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                <text>Ship burial from Sutton Hoo</text>
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                <text>View of the excavation of the ship-burial at Sutton Hoo. Black and white photograph centering the impression of the Sutton Hoo ship in the ground, with rivets and impressions of individual planks clearly visible, though the wood of the ship has rotted away. The British Museum's catalogue dates the ship's rivets to the early 7th century (https://www.britishmuseum.org/collection/object/H_1967-1006-656).</text>
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                <text>early 7th century</text>
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                  <text>Bolintineanu - Sutton Hoo and Beowulf</text>
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                  <text>Items linked to either the finds at Sutton Hoo or to the poem Beowulf</text>
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                <text>Byzantine silver bowl from Sutton Hoo</text>
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                <text>"Shallow silver bowl, not quite complete. Central inscribed roundel, in the centre of an equal-armed cross running from below rim. Arms of the cross decorated with chased star motif. Central roundel contains six pointed star, with eight-petalled floral design in centre. Bowl has beaded rim with line of engraving inside the bowl, just below the rim. One of set of ten, 1939,1010.78-87. A pair with bowl 1939,1010.78." (British Museum Catalogue, https://www.britishmuseum.org/collection/object/H_1939-1010-85)</text>
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                <text>6th century - early 7th century</text>
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                <text>(C) The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.</text>
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Early Byzantine Empire</text>
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                  <text>Bolintineanu - Sutton Hoo and Beowulf</text>
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                  <text>Items linked to either the finds at Sutton Hoo or to the poem Beowulf</text>
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                <text>Frankish Gold Coins (Tremissis) from Sutton Hoo</text>
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                <text>"The thirty-seven coins in the Sutton Hoo purse are all Frankish, and are the only large deposit of coins from the Anglo-Saxon period before the introduction of an English coinage." (British Library Catalogue, https://www.britishmuseum.org/collection/object/C_1939-1003-27). This coin displays, on one side, a crowned head in profile, surrounded by partially visible writing around the edge; on the other side, an anchor/cross symbol, surrounded by partially visible writing around the edge.</text>
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                <text>Church of St. Etienne (Issuer) (British Museum Catalogue)</text>
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                <text>around 605-615 AD</text>
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                <text>(c) The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.</text>
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                <text>gold</text>
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Church of St. Etienne, Bordeaux, France</text>
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                  <text>Items linked to either the finds at Sutton Hoo or to the poem Beowulf</text>
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                <text>Clasp or Buckle from Sutton Hoo</text>
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                <text>"Curved gold dummy buckle or clasp of elongated triangular form. The loop is decorated with cloisonné garnet work, comprising one band of a running step-pattern, and one of plain rectangular and keystone cells. The buckle has a cut-away dummy tongue. Below the loop and 'tongue' are two prominent plain gold circular bosses qith beaded wire collars, each set with a circular cabochon garnet. These conceal rivets which connect with a back-plate of plain beaten gold. At the toe of the buckle is a large circular setting containing a cloisonné garnet step-pattern design, surrounded by a double collar of beaded wire. Below this was a rivet, now missing, which also connected with the back-plate. The whole piece is decorated with cloisonné garnet work, consisting chiefly of step-cut and mushroom cells. Virtually all cells are underlaid with stamped gold foil, but two or three curved stones on the shoulders of the loop may lack foil underlays." (British Museum Catalogue, https://www.britishmuseum.org/collection/object/H_1939-1010-10)</text>
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                <text>early 7th century</text>
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                <text>(C) The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.</text>
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                <text>gold, garnet</text>
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early medieval England</text>
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&#13;
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                <text>"in 1980, the DOE published its Microfiche Concordance to Old English. ""METHODS OF RESEARCH and standards of proof in Old English scholarship have been permanently changed with the publication of this reference tool. Henceforth, if a historian wishes to discuss the Anglo-Saxon thegn or the witan, if a literary scholar wishes to assess these words' meanings in context, or if a linguist sets himself to explaining their phonological variants,then every occurrence of the terms must be taken into account. With the concordance of Venezky and Healey now at their disposal, scholars must accustom themselves to speaking in terms that are definitive within the extant corpus, abandoning such hedging formulasas ""of the twenty-three occurrences which have come to hand"" or ""so far as I have been able to determine."" The new concordance is a blessing to those who want to know more about Anglo-Saxon life, language, and literature; it imposes new and heavy obligations upon the scholars who work in the field."" (&#13;
  Robinson, Fred C. “A Microfiche Concordance to Old English . Antonette diPaolo Healey , Richard L. Venezky.” Review. Speculum 57, no. 1 (1982): 133–35. https://doi.org/10.2307/2847573.) Robinson proceeds to describe the interaction of text technologies (LEXICO program and microfiche). Depicted here is a DOE microfiche from 1994, as well as two microfiche readers:  one, a large model still in use by researchers at the DOE; the other, a small, portable model, able to be used and transported by individual scholars from home to library to research centre."</text>
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