https://spatial-humanities.library.utoronto.ca/files/original/519a4568c8af870a3cc901348a9eb66c.tiff 9b248d66b248aea2e9a7cdd7c82879c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Hermann Composite Publisher An entity responsible for making the resource available Thomas Fisher Rare Book Library Date A point or period of time associated with an event in the lifecycle of the resource Mid 14th Century  Language A language of the resource Latin; High Middle German  Identifier An unambiguous reference to the resource within a given context St Peter Abbey, Kastl, Bavaria IIIF Collection Metadata UUID b4bef350-0297-4cbb-93b6-5255fbf4a9c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hermann Composite folio 162v-163r Publisher An entity responsible for making the resource available Thomas Fisher Rare Book Library Date A point or period of time associated with an event in the lifecycle of the resource Mid 14th Century Language A language of the resource Latin; High Middle German Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant St Peter Abbey, Kastl, Bavaria Description An account of the resource Illustrations on parchment leaves 12.5''h x 9.5''w. 162v: The illustrated Anticladianus sequence concludes with an alternate ending to Alan's original poem in which the perfect man is explicitly identified as Jesus. (Newman 2003, 84) 12 miniature inserts in a square grid. Intended to be read in sequence, top down in three columns. Captions in margins in red and black ink and beside figures providing names in red. Figures outlined with black ink and lightly colored and shaded with primarily yellow and red ink, along with some light greys. 163r - The beginning of the illustrated commentary on the fifteen signs of the apocalypse. (Fisher Library) Two painted miniatures in decorated, vertically divided inserts with text captions above in black ink, written in a gothic script. The extraordinary variety of colors, refinement of line and heavy use of blue suggest a deluxe project. Silver leaf utilized for details has worn down and tarnished over time, losing definition. The first two signs, blood raining from the sky and the light of the sun replaced with darkness. IIIF Item Metadata UUID 239da12e-09b7-448e-891f-b3319ac4f8eb